Posts Tagged ‘Nik Software’

Interiors in HDR: Timberline Lodge

One of the most effective ways to record interiors is to employ high dynamic range images (HDR).  The approach circumvents the major impediment to indoor captures, e.g., flash, that is always challenging, and frequently simply not an option.  In this entry I will submit a few simple examples of the approach in one of my favorite locations.

Timberline Lodge, parked on the southern buttress at the very foot of Mt. Hood, Oregon, is a unique mountain location.  Built in the late 1930’s as a Work Projects Administration endeavor, the Lodge is a living museum, containing excellent examples of timeless alpine craftsmanship.  The style has been called by some, Oregon Gothic.  I like this characterization.  This stonework is found around the greater Portland area, and is unique in all of the world:  A style raw and heavy, as if built one time, for all time.

Images in this entry were recorded on the evenings of August 19 and 20, 2011, using the NIKON D3s, AF-S NIKKOR 16-35mm f/4G ED VR, and the AF-S NIKKOR 24-70mm f/2.8G ED.  Exposure were made at f/8.0 or f/11.0 with shutter speed bracketed to generate exposures at -2.0 EV, 0 EV, and +2.0 EV.  The two images above were recorded from the third floor of the Lodge.  The next three images were made on the second floor, and the final three images were made on the ground floor.

The Lodge is open to the public, and can be visited year-round.  The Lodge is a working inn as well, with a wide variety of rooms, some of the suites quite large,  a formal restaurant (Cascade Dining Room) and two bars (Ram’s Head and Blue Ox).  It is a joy to wander around the place, as there are many alcoves and secret places, back staircases (formally closed to the public, whatever) lead to all sorts of interesting rooms…

Those of you who have visited the Lodge will wonder why there are no people in the images.  During the day, at least during summer, the Lodge is mobbed and shooting an HDR sequence is virtually impossible.  One of the big benefits for photographers of staying at the Lodge is that you can shoot in the late evening and early morning hours pretty much unobstructed – this is a critical advantage for HDR imaging.

HDR images were generated based on the bracketed captures using Nik HDR Efex Pro, with additional image enhancement using Nik Vivaz 2 and Nik Color Efex Pro 3.0.  A dedicated follow-up entry on HDR generation and processing will appear ASAP.

For additional information on the history of Timberline Lodge I recommend the Friends of Timberline site: Find it here.

Copyright 2011 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

Cathedral Park, PDX

The northern gateway of Portland, OR is marked by a most beautiful structure named the St. Johns Bridge.  The steel suspension bridge spans the Willamette River between the Portlandian neighborhood of St. Johns on the east side and the industrial district the dominates the waterfront area near the Linnton neighborhood on the west side.  The bridge, completed in 1931, was designed according to a Gothic Cathedral-like theme, with a pair of large spire-topped towers, distinctively arched supports, and a high, long arching center span (1,200 ft).

Cathedral Park is located under the east end of the Bridge, and provides excellent views of the bridge supports all the way to the eastern main tower.  Not a large park, but a unique one.

Shooting the arches and the underside of the bridge presents all sort of challenges, chief among them being the high dynamic range scene generated by the (always) strongly backlit subject.  As the rival smartphone vendors seem to claim constantly these days…we have an app for that…  Actually, we have two new apps for this, which are HDR Efex Pro by Nik Software and the new version of Photomatix Pro (4.0), by HDRsoft.  I’ll have  a few comments on these software packages in the next few entries.

Images in this entry were recorded using the Nikon D3s, and the AF-S NIKKOR 16-35mm f/4G ED VR, the AF-S NIKKOR 24-70mm f/2.8G ED, and the AF-S NIKKOR 70-200mm f/2.8G ED VR II lens.  Bracketing for the HDR images of the bridge pillar and the support arches consisted of 5 shots at +2 EV, +1EV, 0 EV, -1 EV, and -2 EV.  These two HDR images were converted to BW using Nik Silver Efex  Pro 2.  The image of the Camellia Bush  is not HDR, but is a single color image, converted to BW using Nik Silver Efex Pro, masked to let some of the color of the flowers show through.

Copyright 2011 Peter F. Flynn. No usage permitted without prior written consent. All rights reserved.

Mesa Arch

Mesa Arch is located in the Island in the Sky district of Canyonlands NP.  The arch is accessible via a short, relatively flat 0.5 mile hike from the parking lot adjacent to SR313.  The parking lot is near the junction of roads leading northwest to Upheavel Dome and south towards Grand View Point Overlook, about ten miles inside the park on SR313.  Mesa Arch is easily one of the most photographed natural arches in the world.  Based on our three or four visits to the arch, I’d estimate that your mean time alone here is perhaps two minutes – no kidding.  If you want to photograph Mesa Arch without also including your fellow beings (who are posing for their own photos), you have to be patient and act fast.  The classic image is of the arch at dawn, with light streaming in from underneath.  There are hundreds of virtually identical images posted on the web.  All quite serviceable, but nevertheless subtle variations on a single theme.  Unlike the many relatively smooth forms found in Arches NP, Mesa Arch has a distinctly rough surface, and this is what I wanted to emphasize in this set of images.

Mesa ArchThe IR image above, looking west through the arch to the La Sal Mountains and Shafer Basin was recorded on February 15, 2009 at around 15:00 MST using the Nikon D200IR (see the March 6, 2009 entry for details) and the AF-S  DX Zoom NIKKOR 12-24mm f/4 IF-ED lens at 18mm.  Exposure was f/16 at 1/20s, ISO 100.

The arch is perched on the edge of the mesa, overlooking Buck Canyon about 1000 feet below.  As I’ve mentioned in a previous entry, if arches earned their name from their function, this one would be named ‘walked-on arch’.

Mesa ArchThe image above; looking west-southwest, was recorded using the Nikon D200IR and the AF-S  DX Zoom NIKKOR 12-24mm f/4 IF-ED lens at 12mm.  Exposure was f/16 at 1/25s, ISO 100.  The image below is identical the one shown above, apart from application of a coffee tone.  Toning was applied using Nik Silver Efex Pro.  I am partial to the coffee-toned image, but wonder whether it might be over-the-top.  Comments appreciated.

Mesa Arch