Posts Tagged ‘Mt. Hood’

Interiors in HDR: Timberline Lodge

One of the most effective ways to record interiors is to employ high dynamic range images (HDR).  The approach circumvents the major impediment to indoor captures, e.g., flash, that is always challenging, and frequently simply not an option.  In this entry I will submit a few simple examples of the approach in one of my favorite locations.

Timberline Lodge, parked on the southern buttress at the very foot of Mt. Hood, Oregon, is a unique mountain location.  Built in the late 1930’s as a Work Projects Administration endeavor, the Lodge is a living museum, containing excellent examples of timeless alpine craftsmanship.  The style has been called by some, Oregon Gothic.  I like this characterization.  This stonework is found around the greater Portland area, and is unique in all of the world:  A style raw and heavy, as if built one time, for all time.

Images in this entry were recorded on the evenings of August 19 and 20, 2011, using the NIKON D3s, AF-S NIKKOR 16-35mm f/4G ED VR, and the AF-S NIKKOR 24-70mm f/2.8G ED.  Exposure were made at f/8.0 or f/11.0 with shutter speed bracketed to generate exposures at -2.0 EV, 0 EV, and +2.0 EV.  The two images above were recorded from the third floor of the Lodge.  The next three images were made on the second floor, and the final three images were made on the ground floor.

The Lodge is open to the public, and can be visited year-round.  The Lodge is a working inn as well, with a wide variety of rooms, some of the suites quite large,  a formal restaurant (Cascade Dining Room) and two bars (Ram’s Head and Blue Ox).  It is a joy to wander around the place, as there are many alcoves and secret places, back staircases (formally closed to the public, whatever) lead to all sorts of interesting rooms…

Those of you who have visited the Lodge will wonder why there are no people in the images.  During the day, at least during summer, the Lodge is mobbed and shooting an HDR sequence is virtually impossible.  One of the big benefits for photographers of staying at the Lodge is that you can shoot in the late evening and early morning hours pretty much unobstructed – this is a critical advantage for HDR imaging.

HDR images were generated based on the bracketed captures using Nik HDR Efex Pro, with additional image enhancement using Nik Vivaz 2 and Nik Color Efex Pro 3.0.  A dedicated follow-up entry on HDR generation and processing will appear ASAP.

For additional information on the history of Timberline Lodge I recommend the Friends of Timberline site: Find it here.

Copyright 2011 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

The Lights of Timberline Lodge

Massive Timberline Light FixtureTimberline Lodge on the south slope of Mt. Hood in Oregon is one of the classic historical lodges of North America.  Built by skilled craftsmen during the 1930’s, the lodge survives today as a living museum.  It’s an excellent hotel, with nicely appointed rooms, and an excellent bar and restaurant.  The entire business is laid out in grand scale – like the stuff was built to last…well, forever.  After 80+ years, it all looks like it just might have a chance.  The attention to detail is persistent  throughout the structure, yet the light fixture shown above, got my eye.  You just gotta ask…Why?  Massive, over-designed, and completely impractical, yet startling beautiful – or at least I think so – and so, I must guess, did the men who crafted the stuff.

I’m still experimenting with the Detail Enhancer mode of the HDR software package Photomatix.  As I’ve mentioned before, this adds a sort of magical quality to images of interiors that I find quite compelling.  The image above was generated using the Nikon D700 and the AF-S NIKKOR 14-24mm f/2.8G ED at 24mm.  Exposures were f/16 and 1/4s, 1/2s, 1s, 2s, and 4s, all at an ISO of 800.  The following mapping parameters were used:

Luminosity:  0

Strength:  90

ColorSaturation:  46

WhiteClip:  0.249450

BlackClip:  0.000000

Smoothing:  Medium

Microcontrast:  10

Microsmoothing:  9

Gamma:  1.000000

HighlightsSmoothing:  21

ShadowsSmoothing:  12

ShadowsClipping:  0

ColorTemperature:  0

SaturationHighlights:  0

SaturationShadows:  0

<pmtm:Method>Details Enhancer</pmtm:Method>
<pmtm:Luminosity>0</pmtm:Luminosity>
<pmtm:Strength>90</pmtm:Strength>
<pmtm:ColorSaturation>46</pmtm:ColorSaturation>
<pmtm:WhiteClip>0.249450</pmtm:WhiteClip>
<pmtm:BlackClip>0.000000</pmtm:BlackClip>
<pmtm:Smoothing>Medium  </pmtm:Smoothing>
<pmtm:Microcontrast>10</pmtm:Microcontrast>
<pmtm:Microsmoothing>9</pmtm:Microsmoothing>
<pmtm:Gamma>1.000000</pmtm:Gamma>
<pmtm:HighlightsSmoothing>21</pmtm:HighlightsSmoothing>
<pmtm:ShadowsSmoothing>12</pmtm:ShadowsSmoothing>
<pmtm:ShadowsClipping>0</pmtm:ShadowsClipping>
<pmtm:ColorTemperature>0</pmtm:ColorTemperature>
<pmtm:SaturationHighlights>0</pmtm:SaturationHighlights>
<pmtm:SaturationShadows>0</pmtm:SaturationSha<pmtm:Method>Details Enhancer</pmtm:Method>

<pmtm:Luminosity>0</pmtm:Luminosity>

<pmtm:Strength>90</pmtm:Strength>

<pmtm:ColorSaturation>46</pmtm:ColorSaturation>

<pmtm:WhiteClip>0.249450</pmtm:WhiteClip>

<pmtm:BlackClip>0.000000</pmtm:BlackClip>

<pmtm:Smoothing>Medium </pmtm:Smoothing>

<pmtm:Microcontrast>10</pmtm:Microcontrast>

<pmtm:Microsmoothing>9</pmtm:Microsmoothing>

<pmtm:Gamma>1.000000</pmtm:Gamma>

<pmtm:HighlightsSmoothing>21</pmtm:HighlightsSmoothing>

<pmtm:ShadowsSmoothing>12</pmtm:ShadowsSmoothing>

<pmtm:ShadowsClipping>0</pmtm:ShadowsClipping>

<pmtm:ColorTemperature>0</pmtm:ColorTemperature>

<pmtm:SaturationHighlights>0</pmtm:SaturationHighlights>

<pmtm:SaturationShadows>0</pmtm:SaturationShadows

dows

Liberated!

As a break from the recent, relatively intense, technical discussions, I thought I’d liberate a few images from the photon-dungeon.  The shot below, of Mt. Hood in Oregon (obviously, obviously) was recorded on July 23, 2008 at 12:00 PST, using the D300 and AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED at 24mm. The exposure was f/16 at 1/250s, ISO 200.

Mt. Hood and Some Boulders

The shot was made hand-held while crossing this snowfield on the trail from Timberline Lodge westward towards Paradise Park.  And yeah, some of those boulders are large – the one at right front was about 5 ft in diameter.  These boulders get dislodged during the melt and can get deposited in an unstable resting place – notice that the rocks are resting on *top* of  the snow.  One is advised to keep 0.5 of an eye on the them whilst passing their downhill side.

There was an unusual amount of snow at Mt. Hood – a lot more than normal.  The High Priestess and I had to travel first on snow, and then, when that became impractical, we had to ascend above the timberline and travel cross-country on the sandy soil above the timberline.

yellow_flowers_weather_wood1The image above, of a bed of arnica and a weathered old branch, was recorded at about 13:30 PST using the Nikon D300 and the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR at 45mm. The exposure was f/16 at 1/200s, ISO 200.  Hand-held.

Mt. Hood and a Small MeadowThe image above, of a small meadow, was recorded at 14:00 PST using the Nikon D300 and the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR at 26mm. The exposure was f/16 at 1/160s, ISO 200.  The shot was made hand-held, ’cause I didn’t think I would be able to do much with the image given the time of day.