Posts Tagged ‘Broken Top’

Green Lakes

The Green Lakes Trail in Oregon’s Three Sisters Wilderness is one of those routes folks dream about.  The HP and I have wandered around here quite a bit, and will confirm this trail would definitely be a highlight to any trip to central Oregon.  The most popular route to the lakes begins in a parking lot just off of the Cascade Lake High way (Oregon Highway 46)  in central Oregon, just a little more than 26 miles west of Bend, OR.  The trail follows Fall Creek for about four miles, crossing it several times on the way to the  pristine Green Lakes basin. The trail head is just about mile-high, and climbs about 1000 ft into the basin.  Remarkably, on this trip, in the third week of July, we encountered snow after walking about 0.5 miles, and spent most of the day walking on snow.  Under such conditions, a pair of walking sticks is virtually essential – don’t forget ’em.

Green Lakes and Broken TopThe image above, of Broken Top, and the largest of the Green Lakes, was recorded on July 21, 2008, at 11:45 PST, using the Nikon D300 and the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR at 25mm (37mm full frame equivalent).  Exposure was f/18 at 1/200s, ISO 200.

HP at Green LakesThe snap above, of a peaceful HP at Green Lakes with South Sister in the background, was shot on July 21, 2008, at almost exactly noon (PST), using the Nikon D300 and the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR at 16mm.  Exposure was f/16 at 1/160s, ISO 200.

Fall CreekThe image above, looking north up Fall Creek near trail’s end with Broken Top in the distance, was recorded on July 21, 2008, using the Nikon D300 and the AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED at 17mm.  Exposure was f/14 and 1/30s, ISO 200.   Processing was intense on this image.  First, to add detail in the clouds the Overlay Move was applied: copy the Background layer twice to generate Backgroup copy and Background copy 2 layers.  Deselect the view on the Background copy 2 layer.  Select the Background copy layer and using Apply Image, add the red channel, inverted, in Overlay mode, to the Background layer.  Apply Gaussian blur to the layer (250 pixels, 2x).  Reactivate the view on the Background copy 2 layer and select that layer.  Change the blending mode to Darken.  Flatten the layers and copy the new Background layer to generate a Background copy layer.  Change the blending mode on the Background copy layer to Multiply.  Add a mask to the Background copy layer and apply a gradient, inverted, to further darken the sky without darkening the foreground.  Whew,  now you understand why I don’t typically supply all the processing details in the blog entries!

Atkeson Point

Atkeson Point

Ray Atkeson. For native Northwesterners the name is synomous with outdoor photography.  During the 70’s and 80’s Atkeson published a series of  color coffee table books that pretty much defines the genre.  For those of an earlier vintage, you may recognize Atkeson as a renowned ski photographer – yeah, it’s a popular style-type, and Atkeson’s BW prints are some of the very best images of this form made by anyone at anytime – and done mostly using a 4×5 Speed Graphic camera that he toted around in the era before ski-lifts – folks were tougher in the olden days…  I actually own a couple of prints meself – night shots at Timberline Lodge.

In honor of his stature as Photographer Laureate of Oregon, a point on the south shore of Sparks Lake has been named after Atkeson.  It is a very pleasant spot,  reached easily by walking a short distance along a paved trail from the boat launch parking lot at the southeastern corner of the lake.  Near Atkeson Point you can setup to try your skills against the morning light, South Sister and Broken Top.  Warning: it is mostly cold here, even in summer, right around dew-point temperatures, and the light is curiously fickle.  It is nevertheless one of the most lovely spots on Earth.

The image above of South Sister and Broken Top with Sparks Lake in the foreground – an Atkeson classic – was recorded on July 22, 2008, at 08:40 hrs, using the Nikon D300 and the AF-S NIKKOR 24-70mm f/2.8G ED lens at 35mm (52 mm full-frame equivalent).  Exposure was f/16 at 1/80s, ISO 200.  The image is a crop from a panorama generated using a series of 17 images overlapping by ~30%.  The images were processed identically using a camera profile set at the DX2 Mode 3 (landscape), and clarity set up to +43 to enhance the detail up on South Sister.  The stitch was made using AutoPano Pro.  The composite image was futher processed by copying the image to a layer, and changing the blending mode to multiply.  A mask was then added to the layer to install a gradient that emphasized the darkening effect of the multiply layer in the upper half of the image.  As usual, I’m happy to answer specific questions about the processing.