Posts Tagged ‘HP’

A Desert Unicorn

Desert Bighorn Sheep are a common sight along the Zion-Mount Carmel Highway in the eastern side of Zion National  Park.  I believe it is because most of the better browse lies more or less near to the road – not that I eat much of it myself – but the Sheep do seem to favor the green bits emerging from the Gambel Oak that is abundant along the roadside.

Desert Bighorn are approximately half the size of their Rocky Mountain cousins, but they are nevertheless a noble breed, and quite fascinating to watch.  An excellent document summarizing the management history of Utah Desert Bighorns, compiled by the Utah Division of Wildlife Resources, is available here.

The image above was recorded on March 27, 2010, at 14:00 MDT using the Nikon D300, the AF-S VR Zoom-NIKKOR 200-400mm f/4G IF-ED lens at 400mm, *and* the new AF-S Teleconverter TC-20E III.  Add that all up, Dear Friends, and you have 1200mm effective.  Exposure was f/8 and 1/1600s, ISO at 800.  This is not a stable setup focusing-wise, and even in the bright early afternoon light the yield of usable images is not great.  Still, until Nikon puts a few more 600mm f/4 lenses on the market, it’s a reasonable workaround for big game photography.  If you are cruising in the early morning you will have to keep a keen eye out to spot them, but by 10 am or so the cars stopped in front of you will alert you to their presence.

The HP thinks that the young Desert Bighorn shown above has a fanciful, kinda Unicorn-like appearance, a Desert Unicorn!  BTW, the HP is an awesome sheep-spotter…unicorn-spotter…whatever…

Copyright 2010 Peter F. Flynn. No usage permitted without prior written consent. All rights reserved.

Lunch Guests

I’m working downstairs framing-up some images when I hear the HP upstairs yelling something…  The house rule is that if you cannot see the other guy, they cannot hear you, so this must be a special.  I wander upstairs, ‘What?  What?’  ‘There’s deer in the backyard’, says the HP.   Cool, another chance to try out the tack-sharp 200-400 zoom.

Mule deer frequently visit the backyard of Don Pedro and the HP to munch on the HP’s plants.  A bit odd though, for a pair to visit on the day before the vernal equinox in the early afternoon – must still be snowed over up high.

The image above was recorded at 15:30 MST using the Nikon D3s and the AF-S VR Zoom-NIKKOR 200-400mm f/4G IF-ED lens at either 400mm (above) or at 200mm (below) .  Exposure was f/8 at 1/2000s, ISO at 800 – Hey I didn’t know what the light would be like outside.  And the lens does not disappoint, super sharp, excellent bokeh, great color depth, awesome all around.

Copyright 2010 Peter F. Flynn. No usage permitted without prior written consent. All rights reserved.

A Moment in Time Recovered

Whether it’s a box of photos, or pages in an album, to a keen archivist it’s the challenge of the undiscovered country, a set of visions created by dear friends or relatives, to be rendered in modern digital terms.

The image above represents three generations.  On the left is Meredith, her mother Helen in the middle, and her mother-in-law, Margaret, on the right.  Standing behind her mother and grandmothers is the HP as a young lady.  This is just an awesome composition, but what attracts me most to this image is the HP’s classic Mona Lisa smile, and those eyes.

My father in law, Carl J. (Joe), was an inspired shooter,  who has left his family with a great wealth of images.  Joe shot using a number of formats, including Kodak 126 format and and 35mm, with output rendered at the local photo mill standards of the time.  The image above was recorded using a Praktica 35mm camera.  The source image for the restoration, shown below, was a scan of the printed image generated using an HP ScanJet at 1200 dpi – yes, there are better scanners, but honestly, I’m not certain that they help much.

The image was scanned into RGB colorspace.  Contrast was enhanced by adding a curves adjustment to the individual red and green channels.  The image was then converted to BW,  and the contrast then further enhanced using Nik Silver Efex Pro.  Noise and dust were removed a combination of the Clone Stamp and Healing Brush tools in Photoshop CS4.  In practice I find that regions that have a constant tone are most efficiently repaired using the Clone Stamp tool, whereas the Healing Brush tool generally works better on regions that contain complex patterns.  In all cases, keeping the brush size as small as possible generally produces the most favorable results.

The heavy lifting in this image was the removal of an outdoor service outlet along the wall just above and to the right of the head of little HP.  I cloned in a replacement seam from the set of shakes that lies to the right of where that service outlet exists using the Clone Stamp tool.  Reasonably convincing if I do say so myself.

If you are serious about image recovery, there are a number of excellent published texts on the subject.  My current working texts are Scott Kelby’s ‘The Adobe Photoshop CS4 Book for Digital Photographers’,  Katrin Eismann’s (with Wayne Palmer) ‘Photoshop Restoration and Retouching’, and Ctein’s ‘Digital Restoration from Start to Finish, Second Edition: How to repair old and damaged photographs’.

Copyright 2010 Peter F. Flynn. No usage permitted without prior written consent. All rights reserved.