Nikon 800mm f/5.6 VR: Perspectives

The July 12, 2012 announcement of a new Nikon 800mm f/5.6 lens has generated endless chatter amongst both the Nikon-faithful and users of other high-end optical systems.  The standard responses naturally include blind praise as well as condemnation in varying degrees of hostility, but I suspect that many users of long Nikon glass may simply have been a bit surprised.  How you interpret the announcement of the 800mm f/5.6 will most probably depend on your current gear roster, and there would seem to be three major camps.

One camp, the magnificationistas, will purchase this lens without a second thought – add the 2.0X teleconverter and you get 1600mm in the FX, and 2400mm in the DX – there is no other way to do this. The problem here, and it is a significant one, is that at 1600mm you will be shooting at f/11.o.  Whether autofocus will work well will depend on the ambient light obviously, but my guess is that you had better practice your manual focus technique…

A second camp consists of wildlife and sports shooters who want to move up from a shorter lens, say the 400mm f/2.8 or the 500mm f/4.0.  For those with the 400mm glass, choosing between the 600mm f/4 and the 800mm f/5.6 may be a tough decision.  Let’s say one had the 400mm f/2.8…add the 1.4X tele (lose one f-stop) and you go to 560mm at f/4.0…add the 1.7X tele (lose 1.5 f-stops) and go to 680mm at f/4.8…add the 2.0X tele (lose 2 f-stops) and go to, yep, 800mm at f/5.6.  Some might argue that the 400mm f/2.8 and the 800mm f/5.6 are perfect complements, that allow you to go from 400mm to 1600mm with the three standard Nikon teleconverters.  Current 400mm shooters stepping up to the 600mm by contrast will see overlap in the lens + teleconverter focal length ranges, however there are other important considerations that make the 600mm vs 800mm choice less than obvious, see paragraph below.  Now for those with the 500mm f/4.0, things look similar, but there will obviously be more be significant focal length overlap relative to the 400mm.  Starting with the 500mm f/4.0, adding the 1.4X tele takes you to 700mm at f/5.6, adding the 1.7X tele gets you 850mm at f/6.7, and finally the 2.0X tele gets you 1000mm at f/8.0.

Finally, we consider a third camp, consisting of pro-level shooters who already own the 600mm.  This is my situation.  Yeah, so we have been anticipating a new Nikon 800mm for a couple of years now, and Nikon Rumors predicted this lens announcement a week or so ago (find that article here).  I doubted the rumor though, and frankly didn’t initially understand this release, and here’s why…  I essentially already have this lens: the 600mm + the 1.4X tele gives me 840mm at f/5.6, and it works very well.  An 800mm f/5.6 lens with the 1.4X tele would give 1120mm at f/8.0.  Whether the AF will work reliably in low light is uncertain, but doubtful.  To get to this focal length with the 600mm f/4.0, I would either go with the 1.7X tele, which would give me 1020mm at f/6.7 (which I use frequently, and the AF is pretty reliable), or go with a 2.0X tele and get 1200mm at f/8.0 (AF is unreliable in low light).   This new 800mm lens is most probably going to run between $15K and $20K.  Do you see the problem here?  Now if this had been an 800mm f/4.0, I might actually be keen, but instead, a pro-level DX body remains at the top of my wishlist, 900mm effective at f/4.0 with the 600mm lens, and it goes up to 1800mm at f/8.0.

I suppose that between the magnificationistas and those looking to move up to longer glass, Nikon can sell a few of these lenses.  My guess though, is that this new lens is mostly about competing with Canon and Sigma for bragging rights in the high-visibility sports photography arena.

The official Nikon announcement of the new 800mm f/5.6 is located at the following URL:

http://www.nikon.com/news/2012/0712_nikkor_01.htm

Copyright 2012 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

Yellowstone Diary: May 16, 2012

We work hard at getting lucky.  Although Yellowstone is home to a grand abundance of wildlife, this is not a zoo.  Viewing the park’s animals takes knowledge of their behavior, both as species and individuals, perseverance, and luck, lots of luck.  The result, recorded here, is an example of  just how much can be seen in a single day when all elements of the effort are working in your favor.

We began the day with a plan to revisit the area between Mammoth Hot Springs and Norris.  Just south of the Grizzly Lake Trailhead we found the black bear that we had seen on the previous afternoon.  A bit further along the Grand Loop Road along the way we encountered a small group of bison near Obsidian Creek.

The images above and below were recorded at 07:40, using the Nikon D4 and the AF-S NIKKOR 200-400mm f/4G ED VR II at either 270mm (above) or 330mm (below).  Exposures were at f/8.0 and either 1/800s (above) or 1/1250s( below), with ISO at 1600.

From the Norris Junction we headed east to Canyon Village to shoot the Lower Falls of the Yellowstone River from Artist’s Point in the morning light.  The two images below were recorded 08:30 MDT using the Nikon D800E,  and either the AF-S NIKKOR 24-70mm f/2.8G ED at 82mm with and exposure of f/11.0 and 1/100s (+0.33EV), ISO 100 (top) or the AF-S NIKKOR 70-200mm f/2.8G ED VR II at 200mm.  Exposure were f/11.0 and 1/100s (+0.33EV), or f/8.0 and 1/320s (+0.67EV).  ISO in both cases was 100.

I’ve shot the falls many times in all kinds of light and atmospherical conditions.  Two elements are required for a memorable image – the direction and quality of the light are key of course, but of nearly equal importance is the sky region along the plateau at the top of the image.  It’s not bad here, there is at least a bit of color and texture, but not too spectacular either, and thus the relatively tight crop.

From Canyon we headed south through the Hayden Valley to Fishing Bridge – no animals along the route.  We then set out eastward towards the East Entrance, and found a small group of Bighorn Rams along the north side of the road where the East Entrance Road tracks along Middle Creek.  There were approximately six animals in this groups, foraging just 30-50 meters above the roadway.  They wouldn’t have given us the time of day…

The five images below were recorded using the D4 and AF-S 200-400 at various focal lengths.  Exposures were all at f/8.0 with shutter speeds clustered around 1/1600s, with ISO at 1600.

I also shot this same group of rams with the D800 and the 200-400mm (the original VR) at 400mm, with example images shown in the three shots below.  Exposures were at f/5.6 and 1/1600s, ISO 1600.  Although I hesitate to reveal it since it seems unlikely, but head-to-head at ISO 1600, the D800 has a clear IQ edge over the D4- the dynamic range of the D800 sensor is stellar.

We returned along our outbound route north though Canyon Village, and westward to Norris Junction, and back north to Mammoth.  We then turned west again to investigate the Blacktail Deer Plateau and the Lamar Vallay on the way to the northeast entrance of the park.  Along the way we found a very-well habituated Coyote at around 14:20 MDT.  The three images below were recorded using the D4 and the 200-400mm VR II at 400mm.  Exposures were at f/8.0 and 1/1600s, ISO 1600.

We continued on eastward and found the young moose from the previous day near the Icebox Canyon signpost – right out along the northern side of the road out in the open.  The image below was recorded at 15:42 MDT using the D4 and the 200-400mm VR II at 400mm.  Exposure was f/8.0 and 1/250s, ISO 1600.

 On our return back to Mammoth through the Lamar Valley, we encountered two rangers in the process of relocating the carcass of a bison calf from a spot about 50 meters from the road up over a bluff so it would be out of direct site of the highway.  We watched as the two rangers went up the hill – one ranger lead the way up the hill armed with a shotgun, and the other carried the carcass.  More on this rarely observed ranger activity in a future entry…  The image below was recorded at 16:30 MDT using the D4 and the 200-400 VR II.  Exposure was f/8.0 and 1/2500s, ISO 1600 – yeah the light was changing really fast at this time, thus the kooky exposure parameters.

Traveling further west along the Northeast Entrance Road we found a small group of pronghorns crossing the road near the base of Specimen Ridge.  I am uncertain about whether the roads in Yellowstone are de-iced with salt, but this would explain the curious behavior of the three animals in the second image below.  Images of the pronghorns were made at 16:50 MDT using the D4 and the 200-400 VR II at 220mm (top) and 400mm (bottom).  Exposures were at f/8.0 and 1/1250s, ISO 1600.

We continued westward to Mammoth Hot Spring, and then south with the idea to make one last visit to Norris that day.  Lounging bears in Swan Lake Flat caused us to change our plans…  Images of bear recorded at 17:50 MDT using the D4 and the 200-400mm VR II at 400mm.  Image of photographers made at 200mm.  Exposure were made at f/5.6 and 1/320s, ISO 1600.

 Copyright 2012 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

FX 24-85mm + DX 18-300mm

Nikon has confirmed the release of two new lenses.  The new FX lens; a small and light AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR , with (just) competent performance seems destined to serve the anticipated but still unconfirmed entry-level FX body (D600).  The other lens; the AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR, is a superzoom that appears destined to replace the popular AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II.  I have no particular interest in the new 24-85mm lens, since it will not be in the same league as the venerable 24-70mm – based on the published MTF curves, a pro-level shooter would have to *really* need VR to go for the 24-85mm.  I might be interested in the 18-300mm DX superzoom, but only if something more interesting than a D3200 body appears…not because I think the 18-300 would be the lens of choice on a pro-DX system (it definitely wouldn’t be), but just as a protest sort of thing.  See, I’m still hoping for a D300s replacement – didn’t really think that the D7000 filled that need.

Copyright 2012 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.