Archive for the ‘Wildlife Photography’ Category

Fawns Return to Casa Don Pedro

Each spring by the middle of June, Mule Deer fawns return to Casa Don Pedro to frolic amongst the sweet grasses growing along the Upper Avenues area of Salt Lake City.  We suspect that they are born in the green-way that runs behind the homes dotting the hillside, but at any rate, they usually spend a couple of weeks nearby before moving into the Wasatch backcountry.

Most years, this one included, we are graced by twin fawns.  They remain hidden most of the time, but occasionally bust out for an entertaining display of rambunctious energy.

The slope here is nearly 30 degrees, but these little guys bounce around with no trouble.  The irises make a nice contrast element I think.

I set up two tripods to ensure that I would have a good shooting angle on the fawns.  Of course when they finally emerged from the trees the kit was on the wrong tripod.  I moved just in time to make a few images before they retreat back into the deeper foliage and their mother’s protection.

Images in the entry were recorded at 11:30 MDT on June 11, 2011 using the Nikon D3s and the AF-S NIKKOR 600mm f/4G ED VR lens.  Exposure was 1/1250s and f/8.0, ISO 1000.  The tripod sets were a Gitzo 5541 with the Wimberly WH-200 gimble head, and the Gitzo 5561SGT, also with the Wimberly 200.

Copyright 2011 Peter F. Flynn. No usage permitted without prior written consent.  All rights reserved.

Point Lobos State Natural Reserve

Point Lobos State Natural Reserve, or to most simply, Point Lobos, is a one of the major protected nature sanctuaries of the central California Coast.  In addition to the remarkable natural beauty of the point, for many, including yours truly, Point Lobos represents the northern boundary of the great state of Big Sur.

The image above, as well as the two that follow, were recorded at noon, April 10, 2011, using the Nikon D3s and the AF-S NIKKOR 24-70mm f/2.8G ED lens.  Exposures were f/13 or f/14 at 2-3s, ISO 200.  The images immediately above and below were shot at 62mm, whereas the second image below was recorded at 32mm.  Approximate coordinates of the site were 36°31’07.91″N, 121°57’14.33″W.

The entrance to Point Lobos SNR is located a couple of miles south of Carmel-by-the-Sea, on Highway 1 (aka, the Cabrillo Highway).  The entrance fee to the Reserve is $10, which includes a very good map of the area, but entrance à pied is gratis – this accounts for the crowd of vehicles lining Hwy 1 near the Reserve entrance.  Hours are 8 am until 30 minutes after sunset.  A Google Maps link to the area may be found here.

The three previous images were recorded with the assistance of the Singh-Ray Vari-ND filter.  I used the thin version of the filter with 77mm mount.  I’m happy with these images, but this piece of gear can be challenging to work with in conjunction with wide-angle lenses – much more so than you might imagine.  To be fair, the Singh-Ray literature does clearly indicate that there are limitations to appearance of vignetting and other weird irregularities on full-frame camera + wide angle lens setups (an ‘X” pattern appears on a number of images recorded in this shoot – the image immediately above reveals this artifact a bit).  You definitely need to chimp any images shot with the Vari-ND.

The image above of kayakers and a pod of Risso’s Dolfins was recorded at on April 10, 2011, at 14:00 PST, using the NIKON D300 and the AF-S VR Zoom-NIKKOR 70-300mm f/4.5-5.6G IF-ED lens at 300mm (450mm FX equivalent).  Exposure was f/8.0 and 1/640s (+0.33 EV), ISO 200.  Exposure normalized in ACR 6.4.  This image was shot from the trail above Sand Hill Cove at approximate coordinates 36°30’55.95″N, 121°56’53.97″W.

The images above of the lizard, and of the Harbor Seal below, were recorded at on April 10, 2011, at 14:30 PST, using the NIKON D300 and the AF-S VR Zoom-NIKKOR 70-300mm f/4.5-5.6G IF-ED lens at 300mm (450mm FX equivalent).  Exposure for the lizard image was f/8.0 and 1/500s , ISO 200.  Exposure for the Seal image was f/8 and 1/250s, ISO 200.  Both images were shot from a point where the trail climbs above the little inlet at the back of the Sand Hill Cove.  Approximate coordinates of the site were 36°31’53.97″N, 121°56’57.85″W.

Yes, I do carry polarizers with me at all times, but I use them sparingly.  I’m not particularly hung up on absolute authenticity, but honestly, for me specular reflection can be part of the magic of the scene.  Thus in the image of the basking Harbor Seal above I consciously left the polarizer off the lens to capture the high key of the scene.

One more image of the most excellent surf at Sea Lion Point.  Fair thee well Point Lobos, and I’ll see you in two years.

All images were processed in Photoshop CS5 with capture and output sharpening conducted using Pixel Genius Photokit Sharpener 2.0.1, and contrast, saturation and local adjustments conducted using Nik Software Viveza 2 and Color Efex Pro 3.

Copyright 2011 Peter F. Flynn. No usage permitted without prior written consent.  All rights reserved.

Crossing the Madison River

The Madison River is born at the confluence of the Gibbon and Firehole Rivers near the Madison Junction in Yellowstone National Park.  From Madison Junction, the Madison flows westward to the park boundary, and then northwesterly into the Madison Valley at the Wyoming/Montana state boundary.  The River widens and becomes shallow near the West Entrance, allowing wildlife to cross relatively easily.

In our experience, the most effective way to observe wildlife in Yellowstone NP is to keep moving.  Others may have equally good strategies, but this traveling thing seems to work pretty well.  On a late afternoon excursion to the West Entrance, we happened upon this magnificent bull Elk strolling across the Madison River at a point somewhere between the most western of the picnic areas and the West Entrance gate.

By the time the Elk had crossed the Madison River, there were dozens of cars lining the roadway watching.  For its part, the big bull maintained his dignity and level best to ignore the imposing Human.  The final images, above and below, show the spirit of this awesome creature, proud and strong in the failing autumn light.

Images in this entry were recorded on September 20, 2010, at around 18:30 MDT, using the Nikon D3s and the AF-S VR Zoom-NIKKOR 200-400mm f/4G IF-ED lens at 400mm.  Exposures were all at f/8 with shutter speeds around 1/1600s (+0.33 EV), ISO at 1250.

Images were processed using a combination of Photoshop and 2nd-Vendor utilities, including Photokit Sharpener, and the Nik Suite.  Viveza 2 was used to adjust brightness/contrast/local-contrast.  Color Efex Pro 3 was used to employ adjustable vignetting to emphasize the central subject.

Copyright 2011 Peter F. Flynn. No usage permitted without prior written consent. All rights reserved.