Archive for the ‘National Parks and Monuments’ Category

Fall Color in Grand Teton NP

On the return from a late September visit to The Stone we passed through Grand Teton National Park.  Here we found the fall color fully developed.  Overall, color around the mountain west has been somewhat muted relative to last year, but one can still find pockets of pleasing intensity.

Trees and shrubs around the Willow Flats and Oxbow Bend area generally exhibit excellent color in season, and the contrast of fall color with the northern Tetons makes for respectable images.  The image above of Mount Moran from Oxbow Bend was recorded at 13:00 MST on September 30, 2012, using the Nikon D800E and the AF-S NIKKOR 24-70mm f/2.8G ED at 70mm.  Exposure was f/11 and 1/500s, ISO 500 (+0.33 EV, corrected using ACR).

The image above was recorded just across the road (north side of the J.D. Rockefeller Jr. Pkwy) at the Oxbow Bend Turnout.  Exposure parameters as above.

There are a number of little enclaves of fall color along the Teton Park Road (US 191/89), which is the mainline through the park.  One of my favorites is located near the turnoff to Moose Head Ranch.  There are several small clones/groves of aspen here that reliably produce good fall color.  The image above and the two images below were recorded at around 14:00 MST on September 30, 2012 using the Nikon D800E and the AF-S NIKKOR 24-70mm f/2.8G ED at a variety of focal lengths.  Exposures were at f/11 and 1/640s, ISO 800 (+0.33 EV, compensated using ACR).

Finally below, a lovely shot of the HP and Dity (MOTHP) at the Blacktail Ponds Overlook.  The image was recorded at 14:44 MST on September 30, 2012 using the Nikon D800E and the AF-S NIKKOR 24-70mm f/2.8G ED at 32mm.  Exposure was at f/11 and 1/640s, ISO 800 (+0.33 EV, compensated using ACR).

Copyright 2012 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

Grand Teton Diary: June 1-2, 2012

Early summer may be our favorite time to visit Grand Teton National Park.  There will be snow high on the Tetons through the end of June, which makes for an excellent contrast element to the complex rock formations.  The weather is fairly reliable, although as a few of these images will confirm, there is a enough instability to generate some interesting cloud formations.  Finally, we tend to spend most of the spring in the YNP, and have to delay a visit to GRTE (pronounced Gertie…) until early June.

Our favorite place to stay is at Jackson Lake Lodge.  It is a bit quieter here than at Colter Bay, certainly much quieter than at the Moose Junction area.  The lodge proper houses the registration office, gift shops, and restaurants, but few rooms.  A spectacular view may be had from the east side of the lodge, where windows rising from floor to the top of the peaked ceiling provide a lovely frame for the view of the Tetons across Willow Flats.  The guest rooms are laid out in blocks southwest of the lodge.  Many of these rooms have views of the Tetons, some of them spectacularly so.

A big advantage of staying at the Jackson Lake Lodge is that it is only a few minutes from Oxbow Bend, making it relatively easy to photograph Mount Moran from across the Oxbow Bend of Snake River at dawn.  The image above was recorded at 08:35 MDT (yeah, we arrived late the previous evening so the dawn thing was not happening) on June 1 , 2012, using the Nikon D800E and the AF-S NIKKOR 24-70mm f/2.8G ED lens at 70mm.  Exposure was f/11.0 and 1/160s, ISO 100 (base).

From Oxbow Bend, the most compelling route to explore the park runs N/S along Highway 89 (and concurrently, Highways 191 & 287).  Traveling south from the Oxbow Bend, you will first run east to the Moran Entrance, and then track dead south.  The first major stop along Highway 89 will be the Cunningham Cabin area.  The site consists of two buildings located on several acres.   A buck-and-rail fence runs east-west along the southern edge of the site.  As you can see in the image below, the fence provides a nice foreground element to the image of the Tetons.

The name buck-and-rail derives from the characteristic X-shaped ‘crossbuck’ or ‘buck’ and long horizontal sections or ‘rails’.  Buck-and-rail fences are common throughout this part of the country.  The popularity of the style derives primarily from the fact that no post holes need to be dug.  The abundance of Lodgepole Pine trees in the region, which grow to produce specimens with trunks that are narrow and straight, insures a ready source of fence stock.

The image above was recorded just east of the cabin at 12:47 MDT on June 1, 2012, using the D800E and the 24-70mm lens at 70mm.  Exposure was f/11.0 and 1/160s, ISO 100 (+0.33EV, corrected in post-processing).

An observation I have made on a number of previous occasions is that infrared imaging provides a very entertaining option for the motivated photographer.  Early summer in Gertie presents many such opportunities.  The image above was recorded at 11:46 on June 1, 2012, using the Nikon D200IR (converted to 830nm cutoff by LifePixel Inc) and the AF-S DX Zoom-NIKKOR 18-70mm f/3.5-4.5G IF-ED  lens at 60mm (90mm effective in FX).  Exposure was f/16.0 and 1/10, ISO 100.

Retracing our steps brings us back to the Cunningham Cabin area at around noon:30.  The image above was recorded using the D200IR and the 18-70mm lens at 40mm (60mm effective in FX).  Exposure was f/14.0 and 1/10, ISO 100.

The image above was recorded using the D200IR and the  18-70mm lens at 75mm (90mm effective in FX).  Exposure was f/16.0 and 1/10, ISO 100.

Traveling further south brings us to the famous Snake River Overlook (below).  Many have noted, some with lament, that the trees have grown tall since Ansel Adams made his famous image here in 1942.  I disagree with those that find the changes problematical, and suggest that a well-made image from here (today) can be just as compelling as those made by the master 70 years ago.

The image above was recorded at 13:09 on June 1, 2012, using the D200IR and the 18-70mm lens at 57mm (90mm effective in FX).  Exposure was f/16.0 and 1/10, ISO 100.

The region south and east of the Snake River Overlook is known as Antelope Flats.  We have not seen many antelope (pronghorn) around, but the area is very popular with bison, and we have seen moose near Ditch Creek.  A short drive east along Antelope Flats Road brings you to Mormon Row and the famous Moulton Barn shown below.  The gambrel-style barn structure has a timelessness to it that many find interesting – many are surprised to learn that the barn was used by the Moulton family until 1945.

Image above recorded at 14:07 MDT on June 1, 2012, using the D800E and the 24-70mm lens at 55mm.  Exposure was f/11.0 and 1/125s, ISO 100.

In early summer Antelope Flats is decorated by brilliant yellow Mule’s Ears (Wyethia).  The image above was recorded at 14:24 MDT on June 1, 2012, using the D800E and the 24-70mm lens at 42mm.  Exposure was f/5.6 and 1/2000s, ISO 400. Handheld.

After passing through Moose Junction we headed back north along the Teton Park Road, which tracks much closer to the Teton Range.  Just north of the Taggart Lake Trailhead, we found that the River Road was open.  On previous visits, the road has been closed.  There are a number of interesting things to see along the River Road, but it is the unique views of the Snake River that I find most compelling.  Below we find the HP; with her ever-present field glasses, along the western bank of the Snake.

Image above recorded at 16:27 MDT on June 1, 2012, using the D800E and the 24-70mm lens at 32mm.  Exposure was f/8.0 and 1/320s, ISO 100.  Handheld.

Having recovered from a previous late arrival on the evening of May 31, we were ready for an early start on June 2.  The images above and below of the Tetons looking across Willow Flats we made at 05:44 MDT (above) and 05:52 MDT (below) using  theD800E and the 24-70mm lens at 70mm.  Exposures were f/11.0 and 1/10s (above) and 1/15 (below), ISO 100 (-2.33 EV).

The image above was recorded at 05:52 MDT on June 2, 2012, using the D800E and the 24-70mm f/2.8G ED lens at 70mm.  Exposure was f/11.0 and 1/15s, ISO 100 (-2.33 EV).

Quite often, during a visit to Gertie, we will make a dash up to The Stone.  A visit to Artist’s Point overlooking Lower Falls and the Grand Canyon of the Yellowstone River, shown below, is a favorite spot.  I have a few other things to share about our visit to YNP on June 2, but that will have to wait for a future entry.

Image above recorded at 09:24 MDT on June 2, 2012, using the Nikon D800E, and the AF-S NIKKOR 24-70mm f/2.8G ED lens at 70mm.  Exposure was f/11.0 and 1/125s, ISO 100.

Finally, we returned to Willow Flats in time to catch the sun setting over the Teton Range.  When the atmospherics are right, as shown here, the back-lighting of the Tetons can be properly dramatic.  Image above recorded at 20:48 MDT on June 2, 2012, using the D800E and the 24-70mm f/2.8G ED lens at 40mm.  Exposure was f/8.0 and 1/13s, ISO 100 (-2.0 EV).

Copyright 2012 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

Yellowstone Diary: May 17, 2012

Yes, it has been a while since I’ve had the chance to catch up on things.  Rest assured that I have not been neglecting my photo interests, but we’ve been out in the field a bit this spring and summer, and I’ve just not had the time to sort out a post, well, until now.

The images of the resident Swan Lake Flat sow grizzly and her two cubs are shown above and below (five images).  Images recorded at 07:40 MDT on May 17, 2012 using the Nikon D4 and the AF-S NIKKOR 600mm f/4G ED VR with the AF-S Teleconverter TC-14E II (1000mm).  Exposure was f/6.7 and 1/800s, ISO 2500 (+0.67 EV, adjusted in ACR).

Although Yellow-Bellied Marmots are common in the park, many visitors never see them.  One reliable location for spotting these critters is along the Northeast Entrance road at the junction of Blacktail Plateau Drive.  There is an exposed basalt formation nearby that is a favorite environment of the YNP marmots.  Early morning is the most likely time to view marmots here.  The image below was recorded at 08:35 MDT using the D4 and the AF-S NIKKOR 200-400mm f/4G ED VR II at 400mm.  Exposure was f/5.6 and 1/800, ISO 400 (+0.67 EV, adjusted using ACR).

Pronghorn are common along the Northeast Entrance Road near the area that lies below Specimen Ridge, where the landscape flatten out along Slough Creek (following three images).  We have sometimes seen newborn animals along this section as well as small bands of adults.  Images recorded at 10:15 MDT, using the D4 and 200-400mm f/4G ED VR II at 400mm.  Exposure was f/5.6 and 1/1600, ISO 400 (+0.33 EV, adjusted using ACR).

 

One of the major attractions in the YNP during spring is the presence of newborn Bison calves.  The distinctive coloration and boisterous behavior of these youngsters is impossible to resist.  One could easily spend an entire day watching them.  The image below was recorded at 10:30 MDT at the same location that we shot the Pronghorns above, using the D4 and the 200-400mm f/4G ED VR II at 400mm.  Exposure was f/8.0 and 1/640, ISO 1000 (+0.33 EV, adjusted using ACR).

The coat of black bears display a remarkable range of hues, from jet to light cinnamon.  The lack of a shoulder hump is a clear indication that this is not Griz.  The image below was recorded along the Northeast Entrance Road at 10:55 MDT, using the D4 and the 200-400mm f/4G ED VR II at 400mm.  Exposure was f/8.0 and 1/800, ISO 1600 (+0.33 EV, adjusted using ACR).

We encountered a very bold coyote near the Mud Volcano area.  This coyote strutted about the parking area like it owned the place.  The image below was recorded at 13:25 MDT, using the D4 and the 200-400mm f/4G ED VR II at 400mm.  Exposure was f/8.0 and 1/3200, ISO 1600 (+0.33 EV, adjusted using ACR).

Near the end of the afternoon we revisited Swan Lake Flat, and found the sow Griz and her two cubs still on patrol.  Similar setup as in the AM session, but this time shooting the Nikon D800.  Exposures were at f/6.7 and 1/1250s, ISO 1600 (+0.67 EV).  Images from the D800 at ISO 1600 contain much more noise than do either the D3 or the D4, but is entirely manageable (I used Nik Dfine on these images).

Copyright 2012 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.