Archive for the ‘National Parks and Monuments’ Category

Pronghorn at the Chokecherry Browse

The area along the Northeast Entrance Road in the YNP between the Yellowstone River (west) and Lamar River (east) is one of the most lovely parts of the park.  There are a gathering of small ponds amidst a most curious boulder field south of the road that provides a strange and wonderful bit of scenery.  The imposing bulk of Specimen Ridge dominates the southern view.

Here too, we often find animals, both north of the road to Slough Creek, and south of the road up to Specimen Ridge.  We’ve seen specimens of just about every large animal that inhabit the park here: Bison, Black Bear, Griz, Pronghorn, even Wolves.  On a recent drive through we found this young Pronghorn buck all alone working a beautiful little section of Chokecherry browse.  This is a young buck, probably less than three years old.

A bit of a mystery here…  Chokecherry is toxic to ruminants, and yet it was clear that the Pronghorn was eating the new growth from these plants (in addition to grass and other vegetation).  There is of course the possibility that these plants have been misidentified.

An elder gent observed that ‘Too bad it’s not a trophy buck.’  True, but you rarely get this close – in the rut, I wouldn’t advise even an attempt to get this close to a mature buck.

Images in this entry were recorded at around 17:30 MDT on September 21, 2011, using the Nikon D3s, and the AF-S NIKKOR 200-400mm f/4G ED VR II lens at between 300mm and 400mm.  Exposure was f/8.0 and 1/1250 to 1/1600, ISO 800.  Exposures were made at +0.3 EV and normalized using ACR 6.5.  Capture sharpening was applied using Photokit Capture Sharpener 2.  Images were processed using Nik Viveza 2 and Color Efex Pro 3.

 Copyright 2011 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

Elk Rut at Madison Junction

Each fall, hundreds of photographers swarm Yellowstone National Park in an effort to make images of bull Elk.  By mid-September the rut is in full swing, and this amazing event can best be viewed from Mammoth Hot Springs near the northern entrance of the park, the Lamar Valley in the north central section of the park, and at Madison Junction near the west entrance.

I am naming the behavior documented in this entry as ‘scything’.  This a common rut-antic in which the bull slashes antlers rapidly back and forth through rough greenery, launching bits and pieces of cut grass through the air.  One must guess that this is instinctive behavior designed to sharpen the edges of the rack.  Regardless, many blades of tall grass are sacrificed in the effort.

The flats adjacent to the Madison River near the Junction provide a startlingly beautiful location from which to observe the rut.  The West Entrance Road runs very close to the Madison River here, and there are many pull-outs along the roadway that provide excellent vantage points.  The bulk of the activity occurs between Madison Junction and Seven Mile Bridge, which is the first bridge over the Madison River along the road heading westward from Madison Junction.  This is only about a six mile stretch, yet during the rut, as many as half a dozen bulls can be competing here.

Elk are crepuscular beasties, so naturally the best opportunities to observe them will be in the early morning and late afternoon.  I prefer to visit them in the afternoon and early evening, at that time the setting sun produces a most pleasing warm light.  The tall grass that lines the floor of the Madison Valley glows intensely at this time, which can produce precisely the sort of contrast one is hoping for in wildlife photography.

The pull-outs provide generally very nice spots from which to shoot, however the road runs close to the southern edge of the wall of Madison Canyon, which means that the shooting-angle can run uncomfortably close to the sun.  In addition, the Elk often congregate near the Madison River, which likewise tends to place animals between the photographer and the sun.  In spite of these challenges, unparalleled opportunities for image-making exist here.

Images in this entry were recorded at around 18:00 MDT on September 20, 2011, using the Nikon D3s and the AF-S NIKKOR 600mm f/4G ED VR lens.  Exposure was in the range of f/5.6 to f/8.0 at shutter speeds from 1/2000s to 1/1000s, ISO 800.  Images were processed in ACR 6.4.1, with additional work conducted in Nik Viveza 2 and Nik Color Efex Pro3.

Madison Junction derives its name from the confluence of the Gibbon River and the Firehole Rivers, which meet here to form the Madison River.  Although the Madison here is a modest stream, it flows westward and northward to meet the Jefferson River at Three Forks, MT, to form the Missouri River.

Historically, Madison Junction is the location at which, in 1870, members of the Washburn-Langford-Doane Expedition met to hatch the notion that the area was too important to be owned by private individuals.  A small placard at the Madison Junction Information Station commemorates this key event in National Park history.

Copyright 2011 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

Archive Friday: Five Faces Panel

Canyonlands National Park is one of our favorite ancient rock art hunting grounds.  There are a large number of sites scattered over 527 square miles (!), with the great bulk of the sites accessible only with long drives along primitive roads, many with significant hiking involved.  The potential for epic journeys here are virtually limitless…

The route finding can be extremely challenging, and often the art work remains invisible until you are right next to it.  The rewards of such a journey are (of course) found as much in the enjoyment of the quest as in the discovery itself.

The Fremont culture lived throughout Great Basin from approximately 600 AD through 1300.  Their main legacy to us is a distinctive rock art style consisting of both petroglyphs and pictographs found through the four corners area.  Human figures are commonly featured in the style, in which the drawings consist of a characteristic (inverted) bucket-shaped heads, often extensively adorned with necklaces and earrings.  Curiously, both nose and mouth are omitted in the depiction.

An important variant form of Fremont style pictography is the ‘Faces’ motif.  The Faces motif is characterized by super-sized Fremont style depictions of a series of human figures that emphasize the torso and head.  Perhaps the most remarkable feature of the Faces style is the degree of preparation of the surfaces on which the art appears.  Faces style art appears exclusively (as far as I am aware) on relatively soft vertical sandstone, over which the facial region of the figures has been worn smooth prior to application of pigment.  Here we find five completed Faces, with efforts to construct a sixth Face visible at the far left of the panel images.

The art shown in this entry is found in an alcove in Davis Canyon, just a few hundred yards inside the Canyonlands National Park boundary.  The major challenge with viewing this site is getting to the park boundary.  The drive involves traveling eight miles over rough road, almost six of it in soft sand. Visitors should be aware that there is absolutely no water here.  The site is also relatively remote – when we visited the area the previous log entry in the official park log was almost three weeks earlier – it would most probably be a long lonely walk to Highway 211.

Images in this entry were recorded at 18:00 MDT* on June 16, 2006, using the Nikon D200 and the AF-S DX Zoom-NIKKOR 18-70mm f/3.5-4.5G IF-ED, AF Zoom-Nikkor 80-200mm f/2.8D ED, and the 50-500mm F4-6.3 EX DG HSM lens.  Although the 80-200mm lens remains a solid option if you can live without VR, the 18-70mm and (especially) the 50-500mm have been displaced by excellent modern options – nevertheless, I think that these images hold their own.

The route and site are described in the book entitled Canyonlands Nation Park, Favorite Jeep Roads & Hiking Trails by David Day, and in a number of excellent blogs.

* This time based on EXIF data, however it is almost certainly incorrect.  Based on other (later) images recorded that day, it is probably at least 3 hours earlier.

Copyright 2011 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.